ToolBox Records

This is Oriental fucked-up remix by a rare Turkish artist : 2/5 BZ almost palys live ! Hes got a few Cdr to swap... check with him ! 2/5 BZ exists since 1986 . He had his first ITW with John Peel in 1994 at BBC world service ! Notice that fans of Muzlimgauze and Soot will love this mucis ! This is not an Exotic Oriental Zone !!

A melt opf frenchcore kicks & constructions and Gabba Sounds, both dancefloor oriented. Excellent !

Ever since his first contact with Ad Noiseam and the release of his debut album “Eating Movies” (adn44) in 2004, Matthew Peters expressed his wish to release his long-running, massive trilogy. “The Madlands”, a gathering of three mini-albums forming a very coherent entity, finally sees the light of the day in the form of a triple package showcasing Mad EP's most delicate and soundtrack-oriented work to date. If there is a story behind every song, then there is an entire travelogue that could accompany "The Madlands". Composed over seven years, while living in ten different apartments in five cities, then finalized in Brooklyn for a Berlin-based label, this deeply personal work reflects the life of Mad EP, a nomadic musician trying to find his way home. Sometimes literal and programmatic, other times artistically abstracted into metaphors, the music of "The Madlands" tells a series of seemingly unrelated tales interwoven into a single, cohesive one. Combining his oldest tracks with his most current (including his first electronic track ever written as well as tracks written shortly before handing in the whole trilogy), this non-linear collection roams deeper into the mad psyche and gives even more attention to his instrumental background. Featuring tracks written with long-time collaborators Mathhead, Chaonaut and David Young, as well as together with Matthew Peter's improv-jazz formation (The Manhattan Gimp Project), “The Madlands” appears as one of the most meditative, laid back and somewhat emotion-ridden work of Mad EP so far; the voices (essential on the previous albums "Eating Movies" and "Not Afraid Of Spiders") have been silenced, the melodies and soundscapes have taken the beat's preponderance. Mad EP might invite us to a journey through Mad lands, but you're certain he will not let your hand go.

Two years have passed between the release of AZ-Rotator's album “Science of Chance” album and “Freaky Vintage Disco Breaks”, but they have been two very busy years for Uge Ortiz (AZ-Rotator). Besides polishing the four tracks of his vinyl début, he has proved to be a must-have acts for festival all over Europe. From Barcelona's Sonar Festival to Berlin's Transmediale, from sunny outdoor stages in Spain to Germany's loud Maschinenfest, he has demonstrated repeatedly the dichotomy of his project: detailed, subtle and carefully crafted in the studio, but unmistakably dancefloor-oriented and crowd-pleasing on stage. If the previous “Science of Chance” was the fruit of a long, careful studio labour and the accomplishment of a producer with an ear for crystal-clear tracks, “Freaky Disco Vintage Breaks” is its catchier, heavier and dancier pendant. Still razor-sharp, it is a much more playful and radiant release, in which AZ-Rotator manages to marry his hi-fi (or is it sci-fi?) beats with old-school hooks and body-shaking melodies. Freaky and broken in its details but vintage and disco in its ambition and target, AZ-Rotator's new record comes as a much welcome bridge the complex form of IDM and the party function of electronic beats. A highly seductive, catchy, energetic and clever courtesy of AZ-Rotator's electronic wizardry.

Big up to Joshua and dan Dorrmouse for this excellent electro drum tribal record. Don't miss this jewellery !