ToolBox Records

Released today and now available are the new full length album by Mothboy, "Deviance" (adn69) and the debut 12" by Cakebuilder, "Decks N' Demons" (adn71): Mothboy "Deviance": Finally, here comes Mothboy's second album. Having become one of the most sought-after London producer, Mothboy presents here a very mature work in which his very bassy beat get adjusted to a new, faster tempo, and conjugated with more diversity and voices than ever. A very varied, personal and massive work, adding a solid stone to the Mothboy discography. Information and mp3 / get your copy. Cake Builder "Decks n' Demons": Impressive debut for this young canadian act, bringing you the latest in juggernaut beats, twisted evil rave lines and raw dancefloor efficiency. Make room this new talent of hard, fast, and perfectly produced evil / rave / break core. Information and mp3 / get your copy .

A new major contribution to Enduser's growing discography, “Pushing Back” sees Lynn Standafer integrate new elements to his otherwise typical sound, and take its listener to a new memorable ride. An artist recognised as one of the most important of today breakcore and drum'n'bass scene, Enduser had long wished to release an album where his hard beats and sudden breaks would be presented together with specially recorded vocals and prominent melodies. This project finally sees the light of the day with “Pushing Back”, an album on which the listener gets both the heavily pounding beats of such tracks as the title track or the opening “Starting... now” as well as the vocal contribution of Kazumi (known for her work on Planet Mu and City Centre Offices), Shadow Huntaz's Nongenetic and Chemlab's Jared Louche. These three vocalists and their very different styles are all integrated seamlessly into Enduser's sounds, and join the remixes by label mates Bong-Ra and DJ Hidden on the surprisingly coherent patchwork that is “Pushing Back”, an album at the perfect meeting point between fury and harmony. Enduser's new album was written over a relatively long period for this prolific artist. A special care to the details and the production has been given on “Pushing Back”, this album reflecting well Enduser's experience and progress along the years. Ad Noiseam is happy to present this new album which marks a decisive point in Enduser's career.

proyecto mirage was founded in 1990 by alicia h. willen and francisco planellas. they were initially influenced by the classic electro-pop of the early nineties (a sound which is still present in their side project bubble gum) but the duo was also attracted to industrial-music projects like s.p.k., whitehouse and - of course - esplendor geométrico. their first release saw the light of day after nine years, and their creative output since then has evolved into more complexity. the hard-floor oriented aggressiveness was enriched with electronic ingredients of all kinds - ranging from electro and electronic body music to techno, drum'n'bass, or even sounds similar to those of experimental 'bridging artists' like aphex twin and pan sonic. artists who share p.m.'s taste for alarming atmospheres, broken melodies and distorted rhythms. 'turn it on' is the conclusion of more then ten years of progression. lashing high-speed dance floor blasts ('cannibal party'), distorted eighties nostalgia (6 6 5, 9), straight breakbeat excursions ('welcome to life'), pounding four-to-the-floor industrial anthems ('salvation', a collaboration with italian experimental/folk mastermind spiritual front), disturbing experimental-core ('darker bex') - this album is a perfect amalgamation of all facets of the electronic assault culture - all of which is welded together to form a powerful statement that encompasses severity as well as humorous wickedness - nobody expects the spanish inquisition! this is what they are, this is where the project is today - take it or leave it. always keep in mind: proyecto mirage is not just an illusion but a concrete reality! graphic design by gee.oh.dee

On the occasion of its tenth year of existence, talented French project LITH delivers a new album, powerful and committed. “Gaïa” (the Earth) is a call for our planet as the living cradle of everything that is ; in turns dark and desperate, “Gaïa” hints at man as the destructor of nature and species (“Hiroshima”, “Katami”) but also evokes, in an optimistic, hopeful manner, the cultures that have deified the earth and its elements (“Sentinelese”, “Huli”) and that still survive today. Thus, somewhere between nightmare and dream, “Gaïa” ultimately points at the fact that, as the wisdom of sustaining the world about us was immediately obvious to many men as they developed, so it should continue to be obvious to us. For this new opus, LITH continues to explore the way opened by " Tribal End” while succeeding in giving to his sound experiment even more depth and meaning. Mixing aesthetical soundscapes, tribal and trance elements, distorted noises, fast break beats and powerful industrial rhythms in the vein of Somatic Responses, Antigen Shift or Iszoloscope, LITH creates a unique sound atmosphere and clearly confirms his leading position in the French up-tempo industrial electronic scene.

just when you thought contemporary music had nothing new and exciting to offer here come snog to save the day!!! after almost forty live dates around the usa, europe, russia and australia in 2006 snog return to the recording studio in 2007 (unlike the romans of which they sing) victorious. ‘the last days of rome’ - is it leonard cohen (with its perversely apocalyptic lyric and delivery) or is it public enemy (with its slinky hip-hop beat and grinding guitar motif)? or is it even a male version of goldfrapp, concerning moody electro-psychedelica? well, what it r