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One long Tribe tune about a guy who didn't like cows... And B-sidis stands 2 cool tribe tunes.

Ascratch toolz and demos from the X-Ecutioners. 2XLP for afficionados.

Seldom will an album such as this have crossed your threshold. It’s the product of a hitherto unknown crew from Kreuzberg, Berlin, which is comprised of individuals such as ILL-TILL, TIGER, DER RICHTER, DER TRETBOTE, KNOCHENBLUT, DJ OPFERRILLE and their guests. They offer us a brutal and pitiless as well as gallant view into the abysses of our society, without resorting to waggling the gender specific measuring rod in front of our noses too often. Embedded into Crunk and uncompromising Rap beats, which mix very well with Wu-Tang Clan, Snoop Dogg or even Kanye West in the DJ set, these sickly underprivileged children with their self-contained anti prose rap themselves effortlessly to the top of the action. Within the last 18 months, MYSPACE.COM/ILLTILL00 has caused a furor, while XBERG DHIRTY6 CRU has dug its sonic forceps into its fans’ heads like an earwig. In contrast to most others, ILL TILL (the German HOUELLERAP) has avoided and jumped over the rungs of the darwinist ladder of gangster rap which are rusty and greasy with testosterone in order to kick start his totally idiosyncratic and dadaistic avalanche of rhymes – born in the heads of our children and full of hits. This is shocking stuff indeed, yet it radiates a sublime confidence. Even an electropunk raga track works out all right. On“(Ich hab das Gefühl ich kenne die) Raststätte", Patric Catani aka Candie Hank was permitted to produce the beat.

"DRONE RECORDS is very proud to finally issue this long planned Drone by this prolific German artist! FEUERSTERN (which translates as "Firestar") captures two tracks of luminous tones & magnetic resonances which create a warm and floating aural flux. With mellow concrete material setting the counterpoint, very subtle hisses, smacking & clicking sounds can be distinguished. These are enriched further on Side B with field recordings by MICHAEL NORTHAM made in September 2006 at the Audioframes Sonic Art Festival in Herne. This was where FEUERSTERN was also performed in a choreographed way using fireworks! Very delicate tone colours and a perfectly balanced sound pattern allow for contemplative listening sessions... The 7" comes in a golden lettered & embossed grey cardboard box with golden printed grey inlay.

2 minimal pumpjn on the A-sdie might make you forget about the B-side. Where stands an excllent dry-kick-mental DJ tool, and a good banging harfloor. Check third tune out !

Banging efficient tribe, in the mood of early Mackitek Records...

Long time there were no DSP news @ toolbox... This reminds us some 'souvenirs' ! Let's talk abpout this new DSP item : Very into the classic DSP styles, progressive and mental, developping its shy acid plans. This realese features for the first time a naderland artist with Rinse, witch is very intersting because DSP style is very to be linked with the Acid Nederland school. Nice one !

You need your Xanopticon ! It's a fantastic, kicking, banging, No-ret kicking violent shit ! WOUAOU !

Hardcore Slavery Tour related CD !! A « only ofr distro offer' : All Cds ordered from France gets a Free Entrance bonus inside the 2xCD !

Pumpin kicker from n'ko + X.Prod samplers. Nice autorpod !

Noisy Cruchy mid-tempo hardcore... industrial !

Excellent Drill maxi, featuring traxx in da vein of a Donna Summer who whould have been touched by a V. Snares Angel... But inna Punk EBM club.

Nioce Pumpin hardtek records, featuring 4 major artists from south france.

2 very Agressive 170 BPM hardcore, and 2 acid hardcore. Empty Factory Raving Style !

ryan friedrich is known from his first release 'azif' in 2002. breakcore addicts who were familiar with sound-cut masters like venetian snares were impressed: ryan went far beyond the above-mentioned by building up walls of snippets (sometimes lasting less than half of a second) into sheer break-noise mayhem. hymen records’ first xanopticon record 'liminal space' was a compact, ultra-fast, stunning roll block of sound that left the listener nailed to the wall. three years later, 'psicicite' has the same ingredients that xanopticon is known for - microscopic synth tones, noises, samples - and of course beats. ryan has forced these bits, pieces and breaks into a metric corset. the four tracks are straight and fast, with a sound structure that changes every second. there is not time to take a breath between the attacking drums - nevertheless there are well placed pauses which result in a stunning dynamic range. in short, a work of complexity and dramatic art.