- Ambivalence 10 CD
- (electronica breaks)
- »
Unformated Breakz
Uské Orchestra, Mouse On Mars, Fan Club Orchestra, Jamie Lidell, Helmutmut...
10
xp-electro-jazzy CD of unreleased & remixes - 17 tracks - 50 min 300gr special format folded & holed color cardboard - translucid cd knob
- Ambivalence 11 CD
- "Or Propos" (cello experimental)
- »
Ambient Electronica
10
Claire agrees all the audacities in her overall exploration of her voice and sonorities of the cello, she dwells in this space of vibrations. No sound which does not deliver an emotion.
- Ant Zen Act 205
- "Industrial Owes Us Money" (noizecore, speedcore, breakcore)
- »
Breakcore ,Hardcore
10
concept by hypnoskull: call me every name in the book. but don't count me into your carefully selected circle of so called 'fellow brothers and sisters'. subcultural lil' copies of the regular society which is out there. we die alone. and death is certain. don't regard my temporary presence to your group as some declaration. it is just a lucky or unlucky coincidence in space and time. i do what i am supposed to do? forget it. no one knows, not even myself. if your life is a movie i am playing a minor yet crucial part in it. passing into your screen for 23 seconds maximum. leaving nothing more but a short impression which will live under your skin and eventually will come out again like that alien in this movie which crawls out of someone's chest. i am not a messenger. don't expect my view on global warming. don't ask me to judge. do not expect anything. i pass by in these 23 seconds like some drive-by shooter. fast. violent. out of the blue. unexpected. my bullets don't kill though. they mark you. or don't. if they don't, i will be some footnote you will remember as some weird character of a freakshow. if they do, i will be influencing your mind forever with fake images of aesthetics, anti-fashionable audio combinations just made to provoke you. i will make you doubt about your own self. you will never be the same. you will question the next fashion someone will try to lay upon you. you will see that your lil' world is full of posers. fucking posers. artists that live for one season only. hypes so big they die in the timespan of one of your own breathings. breath deep and slow. cash is the new god. money piles up so fast we need wings to stay above it. everybody who makes it wants to double it. you are only allowed into a group when you show enough of it. or pose enough that you have enough of it. the new reference. measured in piles. goods. 'style'. your new religion. 323 questions to ask a hypnoskull, and here are just 3 of them: "do you have enough to be part of my scene ?" and yeah, this one also: "what is your value?", and the main one: "how much am i worth for you?". industrial owes us money. Word.
- Ant Zen Act 216
- "Math & Emotion" (electro gothic)
- »
Electro Punk / Electro Indus
10
to unite the apollonian and the dionysian, the rational and the exstatic has never been easy, which is why the greeks had a god for each case. it is to be noted that music falls within the area of responsibility of the rational apollo with his muses, but dionysos was always ready to get the party started and turn the volume up. to paraphrase salman rushdie from "the ground beneath her feet", that the struggle of the great musician is to try to set the pure, clean tones of apolloŐs song in movement to the impure rythmn of dionysos. each epoch has tried to bridge the dichotomy in it's own language, in the baroque with ratio and god, the romantic with power and nature, the modern with disonance and alienation and our post-modern with rythmn and the medial self. each an existential answer and question to our human condition. our sensual awareness is steered by our emotions. questions of awareness are existential questions both philosophically and literally. emotional morbidity can lead to untimely death. perhaps the more a person encapsulates and isolates their emotional condition, the more pathological becomes their state. nothing perhaps represents for us the spirit of deferred gratification and balanced power more than the game of chess. nothing seems so mysteriously ordered, 8x8 the 64 squares and the hierarchical pyramid of feudal order. it may say something of the origin of chess that hindu teaching guides us to the 64 abilities a man must master, or the 64 combinations of the 8 categories of erotic acts in the kama sutra, amongst other similar combinations. likewise, the i ching demonstrates in 64 hexagrams the manifold universe as the sum of 6x odd and even. the master, as opposed to the computer, has stored the combinations through experience and chooses the next move as the intuitive sum of all this experience just as the random fall of coins opens the door to an oracle. all art has to be understood as speaking first to the heart. when a clever artist today says that he or she wants to make us think with their attempt to shock, then they have failed to understand either art or us. art speaks to our emotions first and not to our rational faculty. we feel first and ask questions later. the first steps to mathematics starts in our emotional awareness. our feelings come and go, are true for a time and then change. in the moment that i feel, my feeling is unequivocally true, whereas anything i say rationally, including this essay can be argued about and disputed. that 1+1=2 is something that nobody will dispute either, but 3-1=2 is also true. once again klangstabil approaches the squaring of the circle. (excerpt from 'math & emotion - a prologue', written by alasdair macaulay) the idea of producing a concept album about chess arose in the summer of 2005 when boris may started cultivating an interest in the game to find a way to overcome his growing mental laziness. maurizio blanco also liked the idea of turning chess into a musical concept. chessboards and relevant literature were aquired so as to get into to the spirit of the game. originally, the title of this album was planned to be "mindchess". later on, it was transformed into 'math & emotion' because this title reflects the way klangstabil learned how to play the game. "the concept 'math & emotion' became wider and overstepped the limits of a mere game of chess. it was projected on interhuman behavioral patterns in the everyday game of life." (boris may) at the end of 2005, boris may was captivated by the idea to make a cover for 'math & emotion' in the dime novel/ghost story style of the german "gespenster geschichten" comics. these ghost novels were pulp fiction that was published in the 1970s and that impressed him deeply in his childhood. after some research he was able to contact the artist who did the cover paintings, ugurcan yüce (can). boris may: "since he is not only a painter but also a musician, we got on to the same wavelength very quickly when the concept of 'math & emotion' was explained. i explained how the chess theme should run through the whole album." this contradiction is visually realised by two archetypal spirits emanating from boris may's and maurizio blanco's bodies to fight the deadly match to the end. the music on this album seems easily accessible, resuming the path klangstabil has been on for years. the first impression to the expectant listener might be undiluted dark electro-based pop, but this isn't an inaccurate evaluation, as they call it 'klangpop'. massive synth surfaces, pulsing sequencer patterns and intense vocals intertwined with precise computerized drum beats add up to memorable tunes. on closer examination oblique details become visible: elaborated rhythmical work, hidden sound fragments and the specific tension klangstabil are well-known for - all aided by significant lyrics in german, english and italian. the more you engage in 'math & emotion' the more the deepness of this release will develop - just like the seemingly simple game of chess and the game of life.
- Ant Zen Act 230
- "Come Closer" (teknoise, industrial)
- »
Techno / Hardtechno ,Industrial
10
to unite the apollonian and the dionysian, the rational and the exstatic has never been easy, which is why the greeks had a god for each case. it is to be noted that music falls within the area of responsibility of the rational apollo with his muses, but dionysos was always ready to get the party started and turn the volume up. to paraphrase salman rushdie from "the ground beneath her feet", that the struggle of the great musician is to try to set the pure, clean tones of apolloŐs song in movement to the impure rythmn of dionysos. each epoch has tried to bridge the dichotomy in it's own language, in the baroque with ratio and god, the romantic with power and nature, the modern with disonance and alienation and our post-modern with rythmn and the medial self. each an existential answer and question to our human condition. our sensual awareness is steered by our emotions. questions of awareness are existential questions both philosophically and literally. emotional morbidity can lead to untimely death. perhaps the more a person encapsulates and isolates their emotional condition, the more pathological becomes their state. nothing perhaps represents for us the spirit of deferred gratification and balanced power more than the game of chess. nothing seems so mysteriously ordered, 8x8 the 64 squares and the hierarchical pyramid of feudal order. it may say something of the origin of chess that hindu teaching guides us to the 64 abilities a man must master, or the 64 combinations of the 8 categories of erotic acts in the kama sutra, amongst other similar combinations. likewise, the i ching demonstrates in 64 hexagrams the manifold universe as the sum of 6x odd and even. the master, as opposed to the computer, has stored the combinations through experience and chooses the next move as the intuitive sum of all this experience just as the random fall of coins opens the door to an oracle. all art has to be understood as speaking first to the heart. when a clever artist today says that he or she wants to make us think with their attempt to shock, then they have failed to understand either art or us. art speaks to our emotions first and not to our rational faculty. we feel first and ask questions later. the first steps to mathematics starts in our emotional awareness. our feelings come and go, are true for a time and then change. in the moment that i feel, my feeling is unequivocally true, whereas anything i say rationally, including this essay can be argued about and disputed. that 1+1=2 is something that nobody will dispute either, but 3-1=2 is also true. once again klangstabil approaches the squaring of the circle. (excerpt from 'math & emotion - a prologue', written by alasdair macaulay) the idea of producing a concept album about chess arose in the summer of 2005 when boris may started cultivating an interest in the game to find a way to overcome his growing mental laziness. maurizio blanco also liked the idea of turning chess into a musical concept. chessboards and relevant literature were aquired so as to get into to the spirit of the game. originally, the title of this album was planned to be "mindchess". later on, it was transformed into 'math & emotion' because this title reflects the way klangstabil learned how to play the game. "the concept 'math & emotion' became wider and overstepped the limits of a mere game of chess. it was projected on interhuman behavioral patterns in the everyday game of life." (boris may) at the end of 2005, boris may was captivated by the idea to make a cover for 'math & emotion' in the dime novel/ghost story style of the german "gespenster geschichten" comics. these ghost novels were pulp fiction that was published in the 1970s and that impressed him deeply in his childhood. after some research he was able to contact the artist who did the cover paintings, ugurcan yüce (can). boris may: "since he is not only a painter but also a musician, we got on to the same wavelength very quickly when the concept of 'math & emotion' was explained. i explained how the chess theme should run through the whole album." this contradiction is visually realised by two archetypal spirits emanating from boris may's and maurizio blanco's bodies to fight the deadly match to the end. the music on this album seems easily accessible, resuming the path klangstabil has been on for years. the first impression to the expectant listener might be undiluted dark electro-based pop, but this isn't an inaccurate evaluation, as they call it 'klangpop'. massive synth surfaces, pulsing sequencer patterns and intense vocals intertwined with precise computerized drum beats add up to memorable tunes. on closer examination oblique details become visible: elaborated rhythmical work, hidden sound fragments and the specific tension klangstabil are well-known for - all aided by significant lyrics in german, english and italian. the more you engage in 'math & emotion' the more the deepness of this release will develop - just like the seemingly simple game of chess and the game of life.
- Cock Rock Disco 19 CD
- "Oozing Bass Spasms" (breakcore, hardcore)
- »
Breakcore ,Hardcore
10
More Break-Booty-Electro-Horror-Porn than you can handle!Seriously his best work to date, super kicking awesomness. Here, grab these tracks and check for youself:
- Hymen 769
- "Halfbreed" (ambient industrial, donwtempo breaks)
- »
Ambient Electronica ,Industrial
9
photography and layout by salt at a very young age, the norwegian one man project hpc started creating electronic music that ranged from danceable electronica and psytrance to hard-/speed-/breakcore, ambient and noise. after some experimentation and development he felt the time for a first release was right and now 'halfbreed' has been realized. in his own words, hpc's aim is to build an aural exposure of his personal view of life by creating music beyond predictable schedules and clichés in electronic music. with this debut he has perfectly accomplished what he had in mind. hpc presents a fusion of heavy syncopated beats and pulsing low end bass, balanced by synth textures and soundtrackish samples - inducing atmospheres that dwell between unbridled ecstasy and subliminal hypnosis. tracks like 'machine' and 'run' are a fine example of the terrifying and liberating climax of rhythmic power’s crescendo. feel free to file 'halfbreed' between illbient, dubstep and darkest ambient that has accumulated hardtech aggressiveness. with this album hpc hit the target - and this is only the beginning...
- Hymen 770
- "Audio Vandalism" (electro indus, ebm core)
- »
Breakcore ,Industrial
10
audio vandalism is the first release by the young artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. zeller is effected by "all kinds of subversive music" (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregation of complex beat layers, deep dark bass, distorted synth textures, ominous samples and algid ambiences that are interwoven with atrabilious melody lines. straight forward electro-industrial meet the complexness of breakbeats merged with whirls of noise, captured media coverage and a hint of melancholy. this album can be seen as a missing link between heavy, metric electronica, straight-line jungle-core and saturnine movie soundtracks. join the audio vandalism!
- Flamencotronics CD
- "Flamencotronics" (flamenco breakbeat)
- »
Unformated Breakz
- Psychik Genocide CD 47
- "Audiogenic Box" (speed frenchcore)
- »
Hardcore
9
Mix from Skoza featuring tracks from Radium, Japan, Maissouille, Programers, Androgyn Network... The Cd comes in a Audiogenic Box, a T-shit, and a Key-nakelac-kepper.
- BOX+CD+T-Shirt+Key H
- FR
- 21.53 EUR[VAT inc.]
- Multi Vitamix CD 02
- "Multi Vita Mix 2" (techno tribe)
- »
Tribe
EG, Se-te-ve, TD+, Marmonie, Gregos, PilouFace, Skizophonik, Heawocky, Candy, Progress Musik...
After a long absence the quality-label and magazine Vibration Clandestine returns with its second compilation " Multivita' mix II ". Multivita' mix 2, unique mixture of independent artists and electronic music, issued legally and without prescription.
- Booty Breaks 03 CD
- "Booty Breaks Volume 3" (clubcore, breakbeat)
- »
Electro / Breaks
10
Electro Breakbeat Bootleg, Clubby-core, Featuring tracks from The Chemical Brothers, Ghislain Poirier, Deekline, Stanton Warriors, Etc...
- Dog 01 CD
- "Tail Wagging Music" (downtempo, electronica, breakbeat)
- »
Unformated Breakz
Sindri, Back & Forth, Supercilious, Nico Musch, Dr Lazerlyde, Basic, Kadah/Vresky...
10
Tail Wagging Music is a selection of tracks done between 1999 and 2006. Most of them are from members of the lmalc collective and others are by friends which we invited to join the project. Expect an eclectic mixture of original music floating between different genres like Nu-jazz, Hiphop, IDM, Dub, Indie, Rock, modern Classical, Trip Hop. The 16 tracks were choosen and compiled by Q and soFa (solariumface).
- Marasm 20 CD
- "M20" (breakcore ragga)
- »
Breakcore ,Exclusives & Important News
Vojeet, A.N.K.H, Discontinued Process, Red Ewe Lamb, Strident VortX, Horion...
- Ziq 221 CD
- "Repercussions" (mental dubstep)
- »
Dubstep Grime Ukg
9
Album Minimal & Mental dubstep. Deep. CD edition contains 9 mores tracks than the Vinyl.
- Ziq 223 CD
- "Ephemeral Exhibits" (electro dubstep)
- »
Dubstep Grime Ukg
10
Album. Electro Dubstep. CD edition contains 1 more tracks tha the vinyl.
- Bruits De Fond CD 14
- "Let's froth !" (electro acid techno)
- »
Unformated Breakz
4
A little mix for the breakerz ? Thos who don't give a fuck about style names ? Technically the mix is excellent. Music is music. And Label is a bombastic one. Excellent Cds
- Discontinu 03 CD
- "Insekt" (breakcore song drill)
- »
Breakcore
10
Drill breakcore songs. Speed and electricating around. Nice tunes. Bright stuff.
- Ego Twister 08 CD
- "Party Ruiners Volume II" (idm core)
- »
Unformated Breakz
Fadt Fanfare, Okapi, Amnésie, nouveau Pratique Gratuit, Bacalao, Retrigger...
10
Totally fucked up electronika. A real pleasure for who is awaiting some musical surprises. Egotwister keeps on diggin' and deserve MASSIVE SUPPORT !
- Special Forces 17
- "Speedcore 2009" (speedcore)
- »
Hardcore
Igoa, Dj totschlager, C1B2, Terata, Nevermind, Bonehead, Qualkommando, Jensen...
10
The ultimate 2008 speedcore collection. 4XLP featuring all the german gabbaspeedcoreterror scene. + a bonus CD featuring various unrealesed tunes from the same artists.
- Weme 313-2 CD
- "Aqua Team 2" (acid electro)
- »
Techno / Hardtechno
8
Acid electro LP. Some 4/4and some breaks. Not too speed. A perfect easy stuff. Musical but not 'impossible'. Melodious but not mellow...
- Zero71 CD 03
- "Practitioner Of Selective Simulacrum" (hardcore breakcore electro techno)
- »
Unformated Breakz
10
A splendid electronika Breakkz morer or less Core music. Some 4/4 tunes and shaped sometimes bring it back to the dancefloor... Musical & Efficient, sometjhing rarely experienced. Beautyfull stuff !
- Electro Lab Factory CD 19
- "Portail 46" (tribe)
- »
Tribe
9
The new album from les Boucles Etranges. Mc Tabloid comes here a gest on a few tunes, mostly to melt to the sounds.. And sometime for a real song. One of their best album so far, even if there is no real evolution : Les Boucles Etranges is and remains as they've always been : Dancefloor and Experimental.
- Ozore Age CD 14
- "Dada_Dada" (psychedelic)
- »
Rock Wave Punk
9
Psychedelic rock'n Jazz. A nice little perl for all 70's cool sound lovaz'
- Pain Free Found Sound 13 CD
- "HIGH" (breakcore ambient)
- »
Breakcore
9
When you drop from ambient to Breakcore extreme violence... Something surpring and fresh from last year... Some boxes takes time to reach France...
- Psychik Genocide CD 46
- "Freakwaves" (frenchcore)
- »
Hardcore
8
SpeeedFreak new Album. Kicking hardcore, dancefloor and grandiloquent !
- Sozialistischer Plattenbau CD 01
- "Nein, Nein, das ist nicht der Kommunismus !" (breakcore hip hop)
- »
Breakcore
8
Somehow this melts the breakcore to the hip hop like only a few labels can do. A superb abstract result. A real travel into the underground... TIP !
- DTC CD 07
- "PC Pieces – Remixed By friends" (electro drum & bass breakbeat)
- »
Drum & Bass
Krak In Dub, Brusco, Radio Bomb, L'Oeuf Raide, Hupsy Down, Rimshot, Caterva...
10
Free space for artists to remix Laurent De Wilde & Otisto 23 project. The result is a melt of Drum & Bass, Dubstep and Breakbeats. A lots of good tunes there. TIP !
- Jungle Ambassadors CD 02
- "Rolling Through The City" (ragga drum)
- »
Ragga Jungle
- Mongolia Expedisound
- "Mongolia Expedisound Audio Video Report" (electro dvd)
- »
Electro / Breaks
Laurent Lemonnier, Arok, KNoise, Cosmik Connection, Crystal Distortion...
10
Last year, a bunch of 12 Techno activists (Sound system, Visuals, Technicians, Photoghrapher, Performers, ...) went to Mongolia with 5 trucks full of features for a Child Homless refuge. Laurent Lemonnier was one of them. He realeased this Movie, telling the story of this travel as well as the story of these childs... During their long travel (over 6 months), they collected sounds and recorded musicians. They also sharesd their way of making music and organising parties with the Mongolians artists. The CD is the result both, of this collboration and the remixes some friends of them did, using the samples of the sound-collection they did bring back. One of the strongest event in the electronic music planet. Check the Teaser here : http://www.youtube.com/watch?v=nmMD-FRIUoY produced by Watch Your Back.





























