INDUSTRIAL

Breakcore songs for a Hardcore Dj. Dancefloor topquality crazy stuff !

Total Grind, Total speed, Total Extreme.

John Balance and Peter Christopherson tunes (Coil) re-interpretation by Yann Tiersen, Die Anarchistische Abendunterhaltung, Matt Elliot, Christine Ott... Beautyfull Music there....

von magnet dreams of the existence of other possible paths; thin and minute. those tightrope walking paths almost invisible. bouncing in between two perils, two poles, above empires, across frames, which can slip through the breaches of any walls. that is the story of this album. when rage is accompanied by tears. this album is our reaction facing the brutal reality of our world today. a world under pressure where all is put into opposition, where everything would like to divide us and where we are being arbitrarily dictated the absolute necessity of a choice. but with "ni prédateur ni proie" (neither predator nor prey) we will not choose our side. - there between partial / impartial, north / south, subjective / objective, orient / occident, coward / hero, poor / rich, indifferent / partisan ... we will remain bare handed, like astonished and turbulent children dancing on a mine field. we will just stare at you, we will fall into rage and boil into tears. within this emotional turmoil, flore magnet and the turkish actress esra bezen bilgin replace women where they are never welcome. women of multiplicity, violence, engagement and resistance. phil von gives way to the voices of the rom kids of mostar and the jewish and palestinian actors from amos gitai and hany abu-assad movies. - at their side, def sharpens his analogue bass lines and darkens atmospherical ambiances which often feel like "war". scattered explosions, shots, crackles, complaints or laments. only our guest, kurdish sufi musician mŸbin dunen softens the crawling tension. his ney bringing our clamour down to a silent light thread. now von magnet signs a harsh, raw, urgent and poetical piece, mixed and produced flawlessly by master norscq. another dary fusion which binds classical music flavours with oriental rhythms, tribal percussions within neo industrial electronic soundscapes. here orient is not any more sensual and phantasmagoric, it is rigid and almost cold. here occident is no more sparkling and victorious, it is sad and decadent. nevertheless "neither predator nor prey" is the length of rope which suddenly ties them up, confronting our hearts to dive close to the abyss.

full spectrum dominance sounds more like black lung than any previous record: a unique and powerful mixture of electro textures perforated by sudden breaks and lashing aural outbursts. pounding synthetic and acoustic beats carry a heavy load of variety ranging from clicks'n'cuts, cinematic soundscapes and dub-oriented sub basses up to complex sequential patterns qualified for any kind of motion.

Angelo Badalamenti. That's the fist name that comes to the mind when listening the A-side : A very strong David Lynch Ambiance... B-sides brings an Industrial Dub in the vibe of some experimental Asphodel records. A Chill Out Industrial unique production.

Noisy Industrial pizza. Radio cut-ups destroying Filter live set style.

Ambient Industrial Jazzy thing... Dark Instrumental.

Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation

The last december album from Einsturzende in its LP Folder version. Featuring a Book of photographies and Lyrics...

Live set from Mr Masami Akita

to unite the apollonian and the dionysian, the rational and the exstatic has never been easy, which is why the greeks had a god for each case. it is to be noted that music falls within the area of responsibility of the rational apollo with his muses, but dionysos was always ready to get the party started and turn the volume up. to paraphrase salman rushdie from "the ground beneath her feet", that the struggle of the great musician is to try to set the pure, clean tones of apolloÕs song in movement to the impure rythmn of dionysos. each epoch has tried to bridge the dichotomy in it's own language, in the baroque with ratio and god, the romantic with power and nature, the modern with disonance and alienation and our post-modern with rythmn and the medial self. each an existential answer and question to our human condition. our sensual awareness is steered by our emotions. questions of awareness are existential questions both philosophically and literally. emotional morbidity can lead to untimely death. perhaps the more a person encapsulates and isolates their emotional condition, the more pathological becomes their state. nothing perhaps represents for us the spirit of deferred gratification and balanced power more than the game of chess. nothing seems so mysteriously ordered, 8x8 the 64 squares and the hierarchical pyramid of feudal order. it may say something of the origin of chess that hindu teaching guides us to the 64 abilities a man must master, or the 64 combinations of the 8 categories of erotic acts in the kama sutra, amongst other similar combinations. likewise, the i ching demonstrates in 64 hexagrams the manifold universe as the sum of 6x odd and even. the master, as opposed to the computer, has stored the combinations through experience and chooses the next move as the intuitive sum of all this experience just as the random fall of coins opens the door to an oracle. all art has to be understood as speaking first to the heart. when a clever artist today says that he or she wants to make us think with their attempt to shock, then they have failed to understand either art or us. art speaks to our emotions first and not to our rational faculty. we feel first and ask questions later. the first steps to mathematics starts in our emotional awareness. our feelings come and go, are true for a time and then change. in the moment that i feel, my feeling is unequivocally true, whereas anything i say rationally, including this essay can be argued about and disputed. that 1+1=2 is something that nobody will dispute either, but 3-1=2 is also true. once again klangstabil approaches the squaring of the circle. (excerpt from 'math & emotion - a prologue', written by alasdair macaulay) the idea of producing a concept album about chess arose in the summer of 2005 when boris may started cultivating an interest in the game to find a way to overcome his growing mental laziness. maurizio blanco also liked the idea of turning chess into a musical concept. chessboards and relevant literature were aquired so as to get into to the spirit of the game. originally, the title of this album was planned to be "mindchess". later on, it was transformed into 'math & emotion' because this title reflects the way klangstabil learned how to play the game. "the concept 'math & emotion' became wider and overstepped the limits of a mere game of chess. it was projected on interhuman behavioral patterns in the everyday game of life." (boris may) at the end of 2005, boris may was captivated by the idea to make a cover for 'math & emotion' in the dime novel/ghost story style of the german "gespenster geschichten" comics. these ghost novels were pulp fiction that was published in the 1970s and that impressed him deeply in his childhood. after some research he was able to contact the artist who did the cover paintings, ugurcan yüce (can). boris may: "since he is not only a painter but also a musician, we got on to the same wavelength very quickly when the concept of 'math & emotion' was explained. i explained how the chess theme should run through the whole album." this contradiction is visually realised by two archetypal spirits emanating from boris may's and maurizio blanco's bodies to fight the deadly match to the end. the music on this album seems easily accessible, resuming the path klangstabil has been on for years. the first impression to the expectant listener might be undiluted dark electro-based pop, but this isn't an inaccurate evaluation, as they call it 'klangpop'. massive synth surfaces, pulsing sequencer patterns and intense vocals intertwined with precise computerized drum beats add up to memorable tunes. on closer examination oblique details become visible: elaborated rhythmical work, hidden sound fragments and the specific tension klangstabil are well-known for - all aided by significant lyrics in german, english and italian. the more you engage in 'math & emotion' the more the deepness of this release will develop - just like the seemingly simple game of chess and the game of life.

audio vandalism is the first release by the young artist jb zeller who is based in southern france. this release includes eleven tracks which were recorded between 2005 and 2008. zeller is effected by "all kinds of subversive music" (ranging from breakcore and industrial music to dubstep) in such a way that he is able to assimilates these different musical facets into his own style. needless to say the results are unique and subversive in their own right. audio vandalism is an aggregation of complex beat layers, deep dark bass, distorted synth textures, ominous samples and algid ambiences that are interwoven with atrabilious melody lines. straight forward electro-industrial meet the complexness of breakbeats merged with whirls of noise, captured media coverage and a hint of melancholy. this album can be seen as a missing link between heavy, metric electronica, straight-line jungle-core and saturnine movie soundtracks. join the audio vandalism!

Industrial ritual little Seven Inch. Refering to some Coil indutrial classics... Cold Industrial.

Opera Multi Steel is one of the doggyest french D.I.Y new wave project... Full total Born Bad style ! 100% garranteed !