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Incognito CD 03 de Munma, Nabil Saliba

  • Label: Incognito
  • Titre: Unholy Republic
  • Référence: Incognito CD 03
  • Format: MCD
  • Pays: LB
  • Catégories: Ambient electronica, 
  • Style: Ambient, Ambient Industrial
  • Poids: 0.24
  • Date de sortie: 21/03/2009
  • Ajouté le: 21/03/2009
  • Note moyenne:

11.31 € (TTC)

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Incognito CD 03 Commentaire

Oriental ambient electronica, downtempo experiments from Lebanon... enlarge + from the In'Collection(s): Beirut Incognito The third official release by Lebanese electronic artist Jawad Nawfal sees him revisiting familiar themes and musical landscapes, while displaying the possibility for some radical departures in the near future. ‘Unholy Republic’ is the third installment of what is commonly referred to as the “Fate trilogy”, one that saw the day in the aftermath of the war waged by Israel on Lebanon in summer 2006. The first two releases, ‘34 Days’ and ‘Black Tuesday’, were marked by ominous moods and atmospheres, sets of menacing clicks and glitches, and a random selection of radio samples and speeches that conveyed brilliantly the mind-set and feelings of the artist, regarding the crisis at hand. ‘Unholy Republic’ picks up where ‘Black Tuesday’ left, with a rambling, brooding track haunted by static, radio noise, and some politician’s vehement preaching. This is followed by two tracks of subdued electronica, reminiscent of Munma’s previous releases. ‘Engram’, in particular, nods prominently towards South American musician Murcof’s output for the Leaf label. The rest of the album is more surprising, as Munma’s recent partner-in-crime, Nabil Saliba aka Trash Inc, enters the fray, and contributes his supple synth-enhanced melodies to ‘Broken Chime’ and ‘Deep Down Inside’. These show a different facet of Munma’s talent, and serve as a timely reminder that Jawad Nawfal is equally at ease devising ambient landscapes and dancefloor “stompers”. ‘Unholy Republic’ concludes on a short, ambient postcard entitled ‘Exodus’, signalling in the process the end of the “Fate trilogy”, and prefiguring realms of possibilities for Munma’s subsequent works.

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